Kristalova grew up in an isolated part of Sweden, "with a sense of disquiet intensified when my mother read me scary folk tales," she says. Her artist parents kept many books on Surrealism, which she devoured, and that "got into my backbone," she says. "I loved Max Ernst, and I especially loved Meret Oppenheim. I found her work a bit silly and playful, but it came close to being about women's life."
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